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Drone Insurance Programs Can Save You Money

March 23, 2026 by Luke Gelineau

As you know, drone rules and regulations are changing constantly and today the importance of drone coverage is a must. We’ve provided information on drone insurance, here.

Drone insurance programs allow for a minimum of $1,000,000 of Aircraft Liability insurance at a minimum premium of only $800 annually! That’s half of our previous minimum premium. We can also cover your drones with premiums starting as low as $250 and a deductible as low as $250. This is a great deal and it’s a huge improvement on where we were before.

What You Need to Do to Qualify

To qualify for this new system you do have to have Part 107 license from the FAA. The process for getting one is pretty simple. All the information you need is located on the FAA website. You can read more and submit your application for the Part 107 license by going HERE. 

Once you fill out the drone insurance application, secure your Part 107 license (or license number, if the actual license hasn’t been processed yet) and then we are good to go. After that all you need to do is fill out the application on our site. As soon as you get the application filled out and sent in to us we can get a quote to you in 1-2 business days. This is another huge improvement over our previous turnaround time of 1-2 weeks.

Download the Application Here

I’m sure you can tell that I’m VERY excited about this new system! Drones are an exciting new technology, and we’ve always been on the forefront of providing cutting edge and hi-tech insurance solutions for our clients. We’re excited to keep that going with our new drone insurance program.

Please let me know if you have any questions and feel free to call or e-mail me today!

Luke Gelineau United Agencies explains General Liability and Movie Insurance

         

Filed Under: Blog Tagged With: drone insurance

Going Freelance With Your Filmmaking Business

March 10, 2026 by Luke Gelineau

Becoming a full-time freelance filmmaker (say that five times real fast!) can be intimidating. Since your ability to pay your bills hangs solely on the success of your filmmaking business, it might not be the best idea to just jump in and hope for the best. There are factors to consider and precautions you can take.

What should you do before going full-time with your filmmaking business?

filmmaking business cameraGoing freelance with a filmmaking business requires a strong network, specialized skills, a polished portfolio, and business acumen. Key steps include developing a specific skill set, building a professional network, creating a strong portfolio with personal projects, and learning to manage client relationships and finances. Start by honing a specific skill, building a portfolio through personal projects or initial gigs, and actively networking through online platforms and direct outreach. 

Consider these two options before becoming a freelance filmmaker.

Look for Part-Time Work

Just because you’re going freelance doesn’t mean you have to be entirely self-reliant. Consider building yourself a cushion by performing a small amount of monthly work for another company. This could involve graphic design, video editing, etc. Agree on a weekly or monthly price. This allows for a “rent safety net” while you are in the process of building up your personal business.

Many people believe that freelancing keeps you from working anywhere else or answering to another employer; however, there is no harm in performing a little part-time work while you are taking steps toward expanding your filmmaking career. Working for another company also lends credibility to your work and opens the door for reviews and recommendations.

Expand Your Skill-Set

Every freelancer has their “niche” or a skill that they have mastered. However, potential clients will find you much more credible if you have a wide array of basic skills. A good area to obtain a general understanding of is motion graphic design.

Think of it this way: a restaurant that makes really good burgers, but nothing else, appeals to a burger lover. However, if the burger lover has a wife who is in the mood for chicken, they will likely go to a restaurant that serves both. Skill-sets in filmmaking work the same way. Potential clients may need several services, but if you are only proficient in one, they will not be as inclined to hire you.

Do You Need Production Insurance as a Freelance Filmmaker?

The short answer is “YES.” Since you are self-employed, you are responsible for insuring your own equipment. Additionally, since freelance filmmaking equipment falls under “business” and not “hobby,” homeowner’s insurance will not cover it should something happen to it. It is extremely important that you invest in production insurance so that you don’t find yourself in the hole if something goes haywire.

Here at Equipment and Production Insurance, we want to help your business succeed. If you have any questions regarding the type of insurance needed to become a freelance filmmaker, do not hesitate to call us today!

Luke Gelineau

Picture of Luke Gelineau, Program Manager for Equipment & Production Insurance Burbank CA

 

Filed Under: Blog Tagged With: freelance filmmaking, production insurance

Production Insurance Claims: True Stories – General Liability Insurance

February 12, 2026 by Luke Gelineau

short term general liability insuranceOver the years, I’ve written quite a few articles on the different production insurance options that our customers have with Equipment & Production Insurance. So far we’ve covered General Liability Insurance, Equipment Insurance, Hired Auto Insurance, Workers’ Comp, plus several more. I hope that many of you have gained some valuable insight through those articles. However, I understand it all gets a little confusing at times.

To help make production insurance easier to understand, we are going to put together a series of ‘real world’ examples. I will detail ACTUAL insurance claims that I’ve seen during my career. It’s one thing to read about insurance coverages, but it’s another to hear of what an actual customer had to go through. Hopefully, their experience can give you valuable insight into your production insurance needs. 

Production Insurance Claims: True Stories – General Liability Insurance

If you read my blog post on General Liability, you are aware this type of coverage does NOT cover damage done to the location where you are filming. It only covers damage or injuries to third parties. So let’s talk about the claim, and keep in mind that I’m prevented legally from mentioning names or saying how much was paid. Regardless, I think you’ll get the point anyway.

This scenario happened about five or six years ago. One of my customers bought a short-term General Liability policy to film in an apartment complex. They were filming in one of the apartments, and somebody knocked over a cup of coffee without noticing that they had done it. By the time they found the stain, the coffee had seeped down through the carpet, and it had started to drip into the apartment below. It dripped onto some very costly gator skin boots that the eccentric man downstairs was keeping in his closet. The insured submitted the claim, but the insurance company did not cover the damage to the carpet. The reason they denied the payout was because the carpet was under the insured’s care and control. They covered the damage that was done to the neighbor’s ceiling and his boots and then the claim was closed.

I frequently use this claim as an example when discussing with clients the difference between Third Party Property Damage (the coverage that insures damage done to your location), and General Liability. I hope this helps illustrate this important insurance coverage. If you have any other questions, then please feel free to call me to discuss things further. (818) 295-2266

Luke Gelineau United Agencies Welcomes you to the Equipment & Production Insurance website.

Filed Under: Blog Tagged With: general liability claims, production insurance claims, production insurance true stories

Producer Errors and Omissions Insurance

January 5, 2026 by Luke Gelineau

We get a lot of calls about Producer Errors and Omissions Insurance, so in kicking of the New Year, we thought this was a great time to revisit this topic in greater detail.

producer errors and omissions insurance Luke GelineauWhat is Producer Errors and Omissions Insurance?

I wrote a blog a while back explaining what Errors and Omissions Insurance covers and why it’s needed. 

Errors and omissions insurance covers losses other than property damage caused by your production company or its employees. 

  • Infringement of Copyright
  • Invasion of Privacy
  • Plagiarism
  • Libel or Slander

Your General liability insurance covers damages to a third-party or their property. 

Why Do You Need Producer Omissions and Errors Insurance?

If you are a filmmaker, you need E&O before establishing your production’s distribution network.  Errors & Omissions insurance is not limited to movie producers. In fact, radio and television producers are also eligible for liability coverage.

Errors and Omissions Insurance protects film producers from lawsuits that can and do arise over the content of their production. Take, for example, a couple of the many legal cases surrounding the Harry Potter series.

In 1999, Nancy Kathleen Stouffer alleged copyright infringement by J.K. Rowling, based on Rowling’s use of the word “Muggles.”Another case involved a scene where Rowling named a band called the Weird Sisters. Apparently, there was a group that owned the rights to the name in Canada. Both cases resulted in a drawn-out legal battle and high legal fees.

Copyright infringement can occur without you even realizing it. In the case of the band name, how could you possibly research every group in every country? Most writers don’t think that far ahead. They just hope to produce a script that people like.

That is why you need Producer Errors and Omissions Insurance.

The Fine Print

Movie producers are not the only ones who should consider Errors and Omissions Insurance. Any type of production that involves a written script should definitely consider E & O as a supplement to their general liability policy.

  • Movies
  • Short Films
  • YouTube Videos
  • Radio
  • Theater
  • Television

However, you must get Producer Errors and Omissions Insurance BEFORE distribution. Productions facing litigation due to content errors are not eligible for coverage.

Luke Gelineau United Agencies Welcomes you to the Equipment & Production Insurance website.For more information on production insurance in California, contact Equipment & Production Insurance. The team at Equipment and Production Insurance are film, photographic & entertainment industry insurance specialists. Whether you need short-term, annual, post, documentary, commercial, equipment, rental house, E&O, or rent your own insurance, you can rely on their quick and knowledgeable assistance to meet all of your production insurance needs.

 

Filed Under: Blog Tagged With: errors and omissions insurance, producers e&o insurance

Happy Holidays from Insured Production!

December 23, 2025 by Luke Gelineau

Happy Holidays To Our Clients, Friends and Family

Happy Holidays 2022

We wanted to take a moment to thank you for your continued support, and entrusting us with the service of your insurance policies and financial protection. Wishing you a very Happy Holiday season, and a prosperous New Year in 2026!

Warmest wishes,

From your friends at InsuredProduction.com
a Division of United Agencies Insurance

Luke Gelineau Insured Productions on modifying an insurance certificate

Luke Gelineau

Filed Under: Blog Tagged With: Happy Holidays 2022, Insured Production, production insurance

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